![]() ![]() There wasn’t, mostly because we wanted to be very careful that it didn’t feel exploitive. Was there ever any thought of introducing depression, bipolar disorder, or even suicide? If the people who loved Lee chose to see it, they would feel that we were honoring his memory. We had one simple principle, which was to make sure that we were honoring Lee and the character of Barry Frost. It was very clear to all of us that we didn’t want there to be a blurry line between Detective Barry Frost’s death and whatever way we were going to treat that death. That leads you to him dying in a tragic accident. The other is that it is something tragic, that isn’t related to the procedural element of the show. One is to have it be a crime that you investigate. When I met with, it became very clear that what they wanted was to make sure that we dealt with Lee’s death in a way that was not just respectful to the actor and the role that he had filled in this company, but also to his character. The character needs to be memorialized some way, and if the character is going to die, then on a TV show that deals with crimes, you have two choices. They had said he’d gone on vacation, and in a situation where an actor had died, that seemed less satisfying. When I realized that they had not actively dealt with it in the Season 4 finale, my own personal instinct was that it needed to be marked in some way. If you or someone you know may be at risk of suicide, contact Lifeline on 13 11 14 or seek immediate help from a GP or a counsellor.Actors often disappear from shows between seasons, and their absence is sometimes left unmentioned or explained away quite quickly, so I wondered how you decided to deal with it this particular way. Wish to comment on the Mark Priestley tragedy? Click here "Will the day's events be too difficult for him to overcome? Or will love prevail?" ![]() It's obvious he's not and when Dan elects to postpone the wedding, the race is on to change his mind about getting married. "Meanwhile, Erica has been notified of what's happened, and races into the ED to ensure her Groom is okay. and he does what he has to do to ensure a good outcome. Dan knows the delay could spell the difference between life and death. The woman requires emergency surgery but it's out of hours and the surgical team on call will take some time to mobilise. "On arrival in the ED, Dan pitches in to help, while the rest of the All Saints team deal with the casualties. The van carrying the goons who "kidnapped" him is a mess and Dan has to rally the less injured drunks to help him. "A woman has been badly injured and her husband's panic complicates Dan's attempts to assess and administer first aid to her. Extricating himself from his bonds, Dan does his best to keep the casualties alive and calm while he waits for help. "Dan feels helpless when a pre-wedding gag organised by his brother goes wrong and Dan finds himself tied to a tree while a horrific accident occurs right in front of him. This is how the official All Saints website describes the episode and how it affects his character Dan. ![]() Priestley's last episode for All Saints was called Best Laid Plans which was screened this week. "Mark lives in Sydney and in his spare time loves to play golf, boules, tennis and go to the theatre." Mark moved to Sydney in 1997 to study at NIDA and appeared in many student productions before graduating in 1999. "Born in Perth, he has always wanted to act and from a young age entertained his school friends with his classroom gags. He worked with the famed Bell Shakespeare Company where he played Silvio in The Servant of Two Masters as well as with The Sydney Theatre Company in Major Barbara, both in 2003. "Mark also has some notable theatre credits. "Mark's played a semi-regular role in The Secret Life of Us and appeared in Blue Heelers before his first on-air appearance in All Saints in July 2004. "She gave him a key role in her mini-series Changi in 2001 and since then he's been no stranger to television. The official All Saints website biography for Priestley says: "Mark's first big TV break was when he appeared in the The Farm in 2000 and met director Kate Woods. ![]()
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